ANALISIS KONFLIK BATIN TOKOH UTAMA DALAM FILM THE ARCHITECTURE OF LOVE KAJIAN PSIKOLOGI SASTRA

https://doi.org/10.23960/simbol.v14i1.1369
Published: Apr 27, 2026

Abstract:

The study of literary psychology is a combined science, between literary studies and psychology, which views literary works as mental activities. One study of literary psychology according to Sigmund Freud's theory is the aspects of id, ego, and superego. This research aims to describe the inner conflict of the main character in the film The Architecture of Love, referring to the aspects of Id, Ego, and Superego. This study uses a descriptive analytical method with a qualitative approach. Data collection was carried out using documentation techniques, namely collecting data by recording the available data. The results of the study show that 10 data points were found in the main character, Raia, which consist of 4 data for the Id aspect, 4 data for the Ego aspect, and 2 data for the Superego aspect. The results of this study indicate that the main character experiences inner conflict in the Id, Ego, and Superego aspects, namely (guilt, love, pain, disappointment, and hatred).

Kajian Psikologi sastra merupakan Psikologi sastra merupakan ilmu gabungan, antara ilmu sastra dan ilmu psikologi yang memandang karya sastra sebagai aktivitas kejiwaan. Salah satu kajian psikologi sastra menurut teori Sigmund freud Adalah aspek id, ego, dan superego. Penelitian ini bertujuan untuk mendeskripsikan konflik batin tokoh utama pada film The Architecture Of Love yang merujuk pada aspek Id, Ego, dan Superego. Metode penelitian ini menggunakan metode deskriptif analisis dengan pendekatan kualitatif. Pengumpulan data dilakukan dengan menggunakan teknik dokumentasi, yaitu mengumpulkan data dengan cara mencatat data-data yang ada. Hasil penelitian menunjukkan bahwa ditemukan 10 data konflik batin pada tokoh utama (Raia), yang terdiri atas 4 data aspek Id, 4 data aspek Ego, dan 2 data aspek Superego. Dari hasil penelitian ini yaitu adanya konflik batin yang terdapat pada tokoh utama aspek Id, Ego, dan Superego yaitu (konsep rasa bersalah, cinta, rasa sakit, rasa kecewa, dan kebencian).

Keywords:
1. Inner conflict
2. Film
3. Literary Psychology
Authors:
1 . Azfa Aulia
Institut Pendidikan Indonesia Garut
2 . Agus Hamdani
Institut Pendidikan Indonesia Garut
3 . Winka Naida
Institut Pendidikan Indonesia Garut
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How to Cite
Aulia, A., Hamdani, A., & Naida, W. (2026). ANALISIS KONFLIK BATIN TOKOH UTAMA DALAM FILM THE ARCHITECTURE OF LOVE KAJIAN PSIKOLOGI SASTRA. J-Simbol: Jurnal Magister Pendidikan Bahasa Dan Sastra Indonesia, 14(1), 446–451. https://doi.org/10.23960/simbol.v14i1.1369
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Vol. 14 No. 1 (2026): J-Simbol: Jurnal Magister Pendidikan Bahasa dan Sastra Indonesia
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  4. Cramer, P. (2006). Protecting the self: Defense mechanisms in action. Guilford Press.
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  6. Endraswara, S. (2013). Psikologi Sastra: Teori dan Aplikasi. Yogyakarta: CAPS.
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  12. Hutabarat, K. M., Syafrial, S., & Burhanudin, D. (2023). Konflik Batin dalam Film Kukira Kau Rumah: Kajian Psikologi Sastra. Jurnal Ilmiah Ilmu Pendidikan (JIIP), 6(10), 7652–7656.
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  23. Safitri, A. D. (2025). Representasi Romantisme dalam Film The Architecture of Love: Kajian Semiotika Roland Barthes. Jurnal Kajian Film dan Media, 7(1), 34–42.
  24. Sarup, M. (1993). An introductory guide to post-structuralism and postmodernism. Harvester Wheatsheaf.
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  31. Yin, R. K. (2018). Case study research and applications: Design and methods (ed.). SAGE Publications.
  32. Alfathoni, M. A. M., & Manesah, D. (2020). Pengantar teori film. Deepublish.
  33. Naida, W., Firmansyah, M. H., & Akbar, D. M. (2025). Marginalization of Female Characters in the Novel "Hati Suhita" by Khilma Anis. Journal Civics and Social Studies, 9(1), 10-18.