Previous studies on the poem Menyesal by Ali Hasjmy have primarily focused on its intrinsic elements and moral messages. However, comprehensive studies employing Roland Barthes' five semiotic codes to reveal the multilayered meanings embedded in the poem remain limited. Therefore, this study aims to analyze the meanings of Menyesal through Barthes' five semiotic codes, namely the actional code, hermeneutic code, cultural code, connotative code, and symbolic code. This research employed a qualitative descriptive method using Roland Barthes' semiotic approach. The data consisted of the verses of the poem Menyesal, which were collected through close reading and note-taking techniques and analyzed using the stages of data reduction, data presentation, and conclusion drawing. The findings reveal that the poem embodies Barthes' five semiotic codes, which collectively construct its overall meaning. The actional code portrays the lyrical subject's negligence in making productive use of youth, ultimately leading to regret. The hermeneutic code presents interpretative questions concerning the causes and consequences of life choices. The cultural code reflects social values emphasizing the importance of education, hard work, responsibility, and dedication to society. Furthermore, the connotative code assigns deeper meanings to symbols such as morning, evening, knowledge, and wealth, while the symbolic code establishes binary oppositions between youth and old age, hope and regret, as well as productivity and passivity. These findings demonstrate that the poem conveys not only the poet's personal experience but also universal moral reflections on the importance of valuing time and making meaningful life choices. This study concludes that Roland Barthes' semiotic framework effectively reveals the multiple layers of meaning embedded in the poem through the interrelationship of the five semiotic codes. The analysis demonstrates that Menyesal presents philosophical reflections on life, regret, responsibility, and self-devotion that remain relevant to contemporary society. Therefore, this study contributes to the development of Indonesian literary semiotics and provides a valuable reference for future research on semiotic analyses of literary works.

This study aims to examine the construction of the meanings of death and human morality in Fridolin Ukur's poem The One Who Leaves and The One Who Stays using Roland Barthes' semiotic framework. Employing a qualitative descriptive approach, the study analyzes poetic expressions through three levels of signification: denotation, connotation, and myth. The findings reveal that, at the denotative level, the poem depicts the existential realities of life and death as inseparable dimensions of human existence. At the connotative level, the signs construct meanings associated with life's journey, worldly temptations, spiritual awareness, and moral struggles experienced by human beings. At the mythic level, the poem reproduces cultural and ideological beliefs that portray life as a moral test shaped by material desires, while death is represented as both liberation from worldly suffering and the inevitable consequence of human choices. These findings demonstrate that the poem constructs layered meanings through the interaction of linguistic signs, cultural experiences, and ideological values, thereby presenting a critical reflection on the tension between worldly pursuits and spiritual consciousness. This study contributes to literary semiotics by demonstrating how Barthes' concepts of denotation, connotation, and myth can uncover the ideological dimensions embedded in poetic discourse, particularly in representing death and human morality.